Pandora
Hearts
volume 21
Author: Jun Mochizuki
Yen Press
208 pages
Author: Jun Mochizuki
Yen Press
208 pages
"I
want you to be 'happy'..." With these parting words, one man
sacrifices himself to save Oz and his companions, who have been
chased into a corner. That sentiment succeeds in awakening Oz's
heart, long held captive in the depths of his own soul, as though
breaking all the chains that bind him... But when Oz learns of the
heavy price of his revival, can his resolve withstand it?
Spoiler
alert:
Review contains spoilers for previous volumes and the current 21st
volume.
Mochizuki
really isn't giving us a break at all with this series. We keep
hopping between one tragic event after another without a proper
breather, but that's okay—it
keeps the plot at a fast pace as it speeds towards the series' end.
While this series has focused on the tragic events of Oz's life, the
twenty-first book takes a deeper look at Rufus Barma, the one man
whose recent actions have thrown poor Oz and Gil for a big loop.
This
volume opens with a nightmare and a reminder of how Oz's latest trip
into Pandora ended - Duke Barma betraying them, Xerxes and Ada and
the others kidnapped, and Uncle Oscar dead. But poor Oz doesn't get a
moment to rest, as a discovery of the secret tunnels of Lutwidge
Academy and a box of letters between Duchess Rainsworth
and the Duke have Oz readjusting his personal goals.
Meanwhile,
Duke Barma, Glen Baskerville, and Vincent Nightray are traveling
within Sablier while Baskerville's cronies stay camped in Pandora
with their prisoners. As Barma and Baskerville play a series of head
games to figure out each other's intentions, the news of Oscar's
death makes ripples throughout the Pandora party. Glen has deemed the
Duke too dangerous to leave alone in Pandora; what could Rufus
possibly be doing to be the target of suspicion from all sides?
I
love the variety of morally gray
and 'duplicitous for the greater good' characters that populate the
cast of Pandora Hearts, and Duke Barma is definitely one of them. So
is Xerxes Break, so it's a thrill to read. the parallel narratives
between them that set the tone of this volume. Everyone has their own
personal machinations but Barma has no shame about going to great
lengths to put them into motion, even if he's the only one who knows
what is going on. And Xerxes, naturally, is caught up in the results
of it, but in the best way for him and Sharon Rainsworth.
I
also love the presence of Reim, who manages to keep Oz calm and
collected when others can't. His unbreakable faith in Xerxes and Lady
Rainsworth and the others is the buoyancy element in the group, which
is currently needed more than ever. And can we just feel bad for the
poor Barma pageboy who had to crawl through that dirty passageway to
deliver Reim the box of letters? That could not have been fun,
especially after surviving the disaster in Pandora. Get that kid a
hot bath.
The
art work, as usual, is spectacular. Gosh, there are so many striking
panels of Duke Barma and Oz (not together, naturally). His scenes
vary between the comedic and the dramatic, and the art just flows
between the two different moods. Plus, I love the color art and the
various chapter splash art. The cover art, depicting
Noise/Echo with one arm and one leg wrapped in chains, is terrific
and painfully indicative
of her current situation concerning both Echo and Noise.
It
won't be long before Pandora Hearts bows out for good: news reports have it ending in with its twenty-third volume. Naturally, both Oz
and the Baskervilles' paths are looking to collide sooner than later
in an explosive fashion, and how it ends is anyone's guess. But if
Mochizuki sets the series on the course it's currently riding,
everyone may not survive the final act.
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