Authors: Ekaterina
Sedia, Bruce Sterling, Rachel Swirsky, TOBI Hirotaka, Catherynne M. Valente,
Pat Cadigan, Toh EnJoe , Project Itoh, Hideyuki Kikuchi, Ken Liu, David Moles,
Issui Ogawa, Felicity Savage
Haikasoru/Viz Media
350 pages
A web browser that
threatens to conquer the world. The longest, loneliest railroad on Earth. A
North Korean nuke hitting Tokyo, a hollow asteroid full of automated rice
paddies, and a specialist in breaking up “virtual” marriages. And yes, giant
robots. These thirteen stories from and about the Land of the Rising Sun run
the gamut from fantasy to cyberpunk, and will leave you knowing that the future
is Japanese! (Source:
Goodreads)
I don't do
anthologies. Well, short story anthologies at least; I've no problem when it's
poetry or non-fiction pieces. The problem with (short story) anthologies and
myself is that I get too attached to the characters and the setting of one
story, only to have it end too soon and leave me wanting for more although I
know full well there won't be. Plus, with so many authors in the pot, the
likelihood of several bad apples spoiling the bunch climbs higher and higher.
But I felt obligated
to pick up Haikasoru's collection of sci-fi/fantasy stories from and about
Japan, mostly because it is Haikasoru and they are known for quality fiction of
those genres (and typing that makes me wish I had picked up the paperback of
Battle Royale I'd seen in a new and used book shop today, whoops). And this is
a decision I do not regret, and neither will anyone else who follows suit.
Having said I don't do
anthologies, I'll say that I can gladly amend that to exclude anthologies
edited and released by the Haikasoru imprint, so long as they maintain the same
consistent line of quality storytelling and writing that is present in The
Future Is Japanese's own stories. This is not to say that every story in this
collection is perfection, but even the weaker stories of the bunch are
entertaining enough for the duration.
What is great about
this collection by Haikasoru is that there's an aspect of the sci-fi and
fantasy genres for everyone. There's cyberpunk and there's ghost stories;
there's people in space and people in robots and people in computers burrowing
through the million duplicate minds of a serial killer long dead. And it all
balls up into this wild, mad world of technology and mythology that represents
Japan's culture like little other.
Look at the opening
story of this collection for confirmation of this: “Mono no Aware” by Ken Liu;
it is a story of the survival of humankind in the face of oncoming extinction
and the strength of the human spirit in the face of catastrophe. We as readers
follow a young man, Hiroto, who through unordinary circumstance becomes one of
the few people inside the solar-powered ship heading toward what will probably
be its final destination in the hopes of saving the population onboard.
As he is hurtling
through the stars, he cannot forget his family back on Earth and the games of go he used to play with his father. It’s
these memories of Japan – the go, the
poetry, the cicadas in the summer night – that give Hiroto his strength and his
resolve when it seems like all hope is lost. It is this fusion of culture and machinery
that gives this anthology its unique flavor. Even when the story is not
explicitly set in Japan or at all, it still maintains that particular quality.
Some of the stories
are pure fantasy, however. And for the most part, they are spectacular. The
only one I was not in love with fully was Catherynne M. Valente’s “One Breath,
One Stroke”, a tale of some unusual spirits who live between two worlds,
separated by one barrier. It was lyrical and beautifully written, but plot-wise
left me feeling empty. However, if you are a big fan of Valente’s writing and
you don’t mind the absence of a coherent storyline, then you will no doubt
enjoy her entry in this collection.
It’s hard for me to
pick an absolute favorite among the shining stars of this anthology, so I’ll
split the honor among these three: “Chitai Heiki Korobin” by David Moles, a
teens-piloting robots story with a dark heady twist; “The Indifference Engine”
by Project Itoh, in which there is a civil war and colonial forces try to take
the concept of colorblindness to a dangerous conclusion; “The Sea of Trees” by
Rachel Swirsky, where a girl makes a living stealing from the dead and must
guide a lost daughter to find the lingering spirit of her deceased father.
Ignore the fact that all three of these stories follow each other in said order
in the book – I swear that is one heck of a coincidence. So I’ll throw in as an
honorary mention “Golden Bread” by Issui Ogawa, a marvelous little gem in which
a soldier is kept as a prisoner of war and must acquiesce to village life among
his enemies.
And these are all
authors I would gladly read whole novels’ worth of original material from,
which to me is the mark of not only a good story but a great collection, if it
is able to promote its included authors to that extent. So my hat is off to
you, Haikasoru. You made me love an entire collection of assorted stories, for
better or for worse. Sure, I may not have been enchanted with every piece, but
the ones that blew me away more than made up for the ones that I found lacking.
And that is how, ladies and gents, the Haikasoru imprint bought my wallet’s
loyalty. I wonder which title I’ll buy next. Project Itoh’s diverse collection
of books is looking mighty good right now.
Be sure to visit
Haikasoru on Twitter and tell ‘em how much you love their stuff. And keep an
eye out for their essay contests; you can win copies of their books that way!
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