Paprika
Author: Yasutaka Tsutsui
Vintage
342 Pages (paperback ed.)
Author: Yasutaka Tsutsui
Vintage
342 Pages (paperback ed.)
When
prototype models of a dream-invading device go missing at the
Institute for Psychiatric Research, it transpires that someone is
using them to drive people insane. Threatened both personally and
professionally, brilliant psychotherapist Atsuko Chiba has to journey
into the world of fantasy to fight her mysterious opponents. (Source:
Vintage)
Some spoilers for the novel's story are within.
Scientists
are finding new ways to treat mental illnesses every day. Some
treatments border on the science-fiction. So what about a device that
enters the dreams of a patient, can let the person treating them
directly access the other's subconscious world and alter it? When the
line between reality and dreams blur, where will science stand?
Paprika, the basis for the Satoshi Kon film of the same name, tackles
these massive issues and somehow manages to come out on the other
side intact. If anything, Paprika is a battle to control reality as
we know it.
In
Paprika, the above mentioned Institute for Psychiatric Research works
at treating people with serious debilitating mental illnesses, often
by working through their subconscious. Atsuko Chiba is their star
psychotherapist, partly because of her alter ego, the dream detective
Paprika. Paprika has the ability to walk through a patient's dream
with them and see what others can't. It is her gift that makes the
Paprika role a highly demanded one. Unfortunately, enemies on the
inside of the IPR have Atsuko and her colleagues in their cross
hairs, and inner office politics quickly turn violent and deadly,
leaving Atsuko to have to defend herself on multiple fronts in order
to save her job and her life.
Atsuko
Chiba is our main protagonist and she is annoyingly perfect. She can
do no wrong, and when she does make a mistake, she emasculates
herself so much over it you quickly forgive her. Literally every man
who comes in contact with her, patient or colleague or otherwise,
begins to fall in love with her. She's clever and brilliant and
beautiful and is up for a Nobel Prize along with her partner in
studies, Kosaku Tokita, who is also the man Chiba is in love with.
There's
also the not-so-small matter than Chiba on multiple occasions has sex
with her patients, which last time I checked the world of therapy
rather frowned upon. It is called 'sex therapy' but let us be real
for a moment. It's not. But, as Paprika, she's good at her job - the
best, really - so it's forgiven.
But
Chiba, whether as herself or as Paprika, makes for a highly competent
heroine. She can readily dodge the pitfalls of her enemies,
recognizes traps when she sees them, and is studied enough on dream
analysis that she can lead her patients through their own troubled
minds with ease. She is also someone who can handle high profile
clients with sensitivity - which is good, since her two major clients
in his novel are a businessman of a large company and a high ranking
official in the city police department.
Our
antagonists, Doctors Seijiro Inui and Morio Osanai, are also part of
the IPR. Unfortunately, they seem to lack depth compared to Chiba and
Tokita and their clients. At best, Inui and his subordinate Osanai
are jealous colleagues hellbent on destroying Chiba's life and her
work for a greater good. At worst, they are described as evil gay
lovers who only care about their own well-being and their sex lives.
This novel paints their only LGBT characters as nasty brute men with
a tendency to take everything they want by force, and I won't lie and
say that isn't troublesome to me.
The
best comparison I can serve for the Inui/Osanai relationship is that
of Light Yagami and Mikami in the manga/anime series Death Note.
Mikami is utterly subservient to Yagami and follows his will as Kira
to the letter. Yagami is fully aware of Mikami's slavish tendencies
and manipulates them to his advantage, although not to the extreme
that Inui does with Osanai. Plus, Inui does see himself as a god
type, complex with god-sized complex, and Osanai fits nicely into the
role as lovesick worshiper. It's a nasty relationship but it's the
one we're given.
As
far as the writing of Paprika goes, it's actually very good. Yasutaka
Tsutsui has a solid handle on creating scenes that dissolve the
boundaries between our inner worlds and the conscious world around
us. Several scenes can pass before you fully realize whether it is
their reality or a dream that is occurring. We become as lost as
Paprika, fighting for a foothold on sanity as Inui manipulates from
behind the curtain. Through this, we can understand the frustration
and the maddening sensation of not being sure whether you are
sleeping, awake, or stuck in a place between the two.
I'm
no scientist, but the science of Paprika is equally fascinating. The
DC Mini, which is held as the height of psychotherapy technology at
its birth, makes it easier to enter the minds of patients while they
dream. The reader gets to see the progress of technology throughout
the novel that makes them appreciate even more how revolutionary
Tokita's brain child really is. For a novel written in the early
nineties, Paprika might have been on to something. I actually have
several friends currently studying psychology and the treatment of
abnormal behavior. It would be interesting to get a real world take
on whether or not psychotherapy is anywhere near where the Institute
for Psychiatric Research of Tokita and Chiba are.
Paprika
is not a flawless novel by any means. It has weird hang-ups about sex
and homosexuality and the main protagonist is a Japanese Mary Sue in
every sense (she can literally bend realities!). There are also
several scenes of attempted rape, which I would be remiss not to
mention. But it is a fascinating insight into what may be the future
of treating mental illnesses and a cautionary tale on the dividing
line between our dreams and our daily reality. That line was put
there for a good purpose. What really happens when we chip away at
it? According to Paprika, nothing good at all.
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