Sinon takes center stage, as she should. |
Spoilers
for the first two episodes of Sword Art Online II. All name spellings
taken from Wikipedia.
One
year after the SAO incident, Kirito is approached by Seijiro Kikuoka
from Japan's Ministry of Internal Affairs and Communications
Department "VR Division" with a rather peculiar request.
That was an investigation on the "Death Gun" incident that
occurred in the gun and steel filled VRMMO called Gun Gale Online
(GGO)...Failing to turn down Kikuoka's bizarre request, Kirito logs
in to GGO even though he is not completely convinced that the virtual
world could physically affect the real world. (Source:
Crunchyroll)
I
know, I stubbornly blogged through the entirety of season one of
Sword Art Online when it aired on Toonami. I should have done the
same for SAO II, but time got away from me, so that by the time I was
actually ready to watch it, over ten episodes had accumulated on my
DVR. I am so bad at this, you guys! (I don't even want to think about
all of the Kill La Kill episodes I never wrote about. Yikes. Sorry.)
The
funny part is that I've been looking forward to watching the second
season of SAO, based on online hype and what friends have told me.
I've been promised a really great handful of arcs, including
Asuna-centric storylines, which is always a plus for me.
Unfortunately, two episodes into the Gun Gale Online arc that opens
up season two, I haven't seen much to get excited about but I remain
hopelessly optimistic.
Sword
Art Online II's first episode, "World of Guns", seems like
a lackluster opening compared to how its previous season opened. The
first scene of
SAO II opens with a
long dry interview between professional gamers talking about stats
and stamina while fellow players in a bar watch, occasionally booing
to signal how much they care about "AGI" numbers. It seems
silly at first that these grown men would be so personally insulted
by the loudmouth player Zexceed on the television who is obviously
full of hot air about stats but once we learn these men play GGO for
real money, it makes more sense (more on the monetary value of GGO
later!).
The
arrival of the cartoonish cloak-swishing antagonist, helpfully named
Death Gun, adds a much needed shot of immediacy to this scene but
Death Gun's cliche-filled speech don't add any flavor to his
villainy. Of course, when Death Gun fires at the screen where his
target Zekceed is still talking, everyone laughs at the foolish man
who thinks he can shoot another player from a distance—until,
of course, Zekceed spasms violently and logs out. We as the outside
audience of this melodrama know all too well from Aincrad that it was
a forced log out and that Zekceed's player in the real world had just
logged out of life.
Nice entrance but Kayaba still has you beat, rookie. |
Like
that, we are plunged back into a world where virtual death equals
real death, which means Kirito can't be far away. We then spend a
considerable amount of time with our VRMMORPG veteran hero, who is
either waxing poetic on reality with his girlfriend Asuna or having
an aggravated parfait date with an employee of the Ministry of
Internal Affairs' Virtual Division, who apparently has never
developed an inside voice or the need for discretion with regards to
sensitive details of ongoing investigations. The show makes it seem
like we should know Seijiro already, but when I try to recall his
face from SAO I, my brain blanks so I imagine he was retconned into
the story to make his current plea for help more plausible.
To
Kirito's credit, he doesn't right away fall for Seijiro's plea for
help investigating Death Gun and his now rising list of virtual/real
life kills. A lot of Seijiro's logic is pretty faulty; he says Kirito
wouldn't be much of a target in GGO since he would be a low level,
but if GGO is based on the same servers as Aincard and Alfheim then
he would be able to recall a lot of his old stat information and
become a high level player in no time. Plus, hasn't Kirito been
through enough video game-based trauma by now? He only went into
Alfheim to save Asuna; he doesn't have any personal investment in Gun
Gale. Appealing to his inner sense of justice can only go so far.
Kirito
spends episode two brooding over his inevitable decision unseen in
the background while SAO refocuses on a new character: actual GGO
player Sinon, a blue haired young woman who according to her group
mates is the top sniper of Gun Gale. The majority of the second
episode is watching Sinon in action as she first battles a monster
then acts as support for her group during a raid, only to take a more
hands-on role when she realizes the other squadron has a secret
weapon that could wipe all of them out. As a temporary fake out, the
secret weapon looks a lot like Death Gun in their first appearance,
but the bodyguard Behemoth turns out to be a much different beast
and, although skilled in battle, ultimately falls to Sinon's sniper
skills and overall refusal to give up in the face of certain death.
Sinon, breaking the rules of physics like a boss. |
Sinon
is obviously on the same skill level as Kirito, if not more because
her mastery is of guns and projectile weapons while Kirito is a close
combatant and sword user. Her levels in GGO and her profile stats are
probably phenomenal to look at. It's a shame that the visuals of
Sinon outside of open battle pan over her body like a pin-up model in
Playboy. The camera at one point lingers on her bosom for a good five
seconds as one of her group mates tries to hit her up for an IRL date
(but he is soon shut down by a Sinon who doesn't give a single feck).
Later, as Sinon is lining up her sniper gear for a perfect shot, the
camera scans across her body in a sexualized gaze that made me feel
uncomfortable to watch. Jesus, SAO, she's on the field of battle in
her combat gear, not posing on a beach in a swimsuit.
The
whole thing is gross and unnecessary. Sinon is a top sniper and
professional player in GGO. Once the fight gets going, the camera
work focuses on her agility, gun work and ability at playing the
game. She dodges Behemoth's gunfire in several sequences of
beautiful, fluid motion. But the pre-fight T&A show temporarily
turns her into just a pretty face with a prettier body. I shouldn't
be surprised by SAO at this point—later
in the episode, we see one of Kirito's old VRMMORPG friends attacked
by a plant monster's tentacles which slither up her skirt in a very
not-work friendly way - but after the sexist bullshit of Asuna's
story arc in the Alfheim plot, I would only wish they'd learn from
their mistakes.
Luckily
for Sword Art Online, Gun Gale seems like a rather interesting place
to spend a few hours. It breaks tradition from its fellow games by
being centered on guns and projectile weapons, and is populated by
professional gamers. Why? Because players who are really good make
some serious cash off of it. Gun Gale pays real money to people for
in game success, which must mean that in 2025 virtual reality games
have not only recovered from the Aincra disaster but is actually a
viable moneymaking industry that can support its user base without
losing money in the process.
I hear his Periscope playthroughs of Alfheim Online get him five thousand hits a day. |
Considering
the light novels of SAO were written years before, did Kawahara
realize that gaming with an audience and companies created to take
advantage of it, like Twitch, would make millions and revolutionalize
how we as a society interact with video games? Maybe not, but Gun
Gale Online's success and the huge paychecks its heavy users make on
a weekly basis might be a marker of how our own reality will embrace
playing as a profession.
At
least SAO takes the time to show that being a professional gamer,
logging in for days at a time and letting their physical world fall
to ruin as they succeed online, is not as glamorous as Silicon Valley
would have us believe it can be. Of course, our hero Kirito gets to
overcome all of these issues from his forced multi-year training
stint in Aincrad, which means he doesn't need to log 24 hour days in
other games to be a top player. He
will never have to worry about neglecting his physical body since he
has Suguha around to take care of him (the victims of GGO so far have
been loners without any visible support systems IRL).
I
imagine Kirito's takeover of the player list at GGO won't take too
long. And yes, I know he eventually says yes to the Ministry to be
their mole and investigate Death Gun's victims, because Kirito is the
hero of VRMMORPGs and he can't not
take up the mantle again if people are dying and he can help them.
His martyr complex, so lovingly crafted while fighting for survival
against Kayaba's machinations, will certainly push him through the
front door of Gun Gale, in the company of sniper Sinon, and in the
scope of Death Gun, who will soon see Kirito as yet another threat
that needs a bullet to the brain.
"Hey kid, wanna be fodder so the government can hunt down a video game obsessed killer?" Y'know, Kirito, if shit gets real, you have a basis upon which to sue the Ministry... |
The
second episode ends with Kirito in yet another virtual world, this
time Alfheim Online which has become a safe space for him and his
friends. He is about to tell Asuna something important, likely the
fact that he's been approached to investigate Death Gun and possibly
put his life on the line yet again in a video game. They've spent
this season so far navel gazing on the difference between reality and
fantasy while cuddling (much to the chagrin of Kirito's lady harem),
with Kirito confessing he wants to create video games as a
profession. Honestly, their conversations so far could deserve a blog
post all of their own.
Maybe
this has all been set up so that when Kirito says he's going into
GGO, Asuna says she approves of it – or even follow him into the
game. However, the show suggests that lone players do best in the
game and, as Sinon readily illustrated, a top player can rise above
their fellow player and take down a difficult antagonist without
support. But
if Kirito is looking for approval of his charging into yet another
situation to save people's lives, he will certainly find it in the
heart of a woman who was recently a captive of a video game and saved
by Kirito himself. If anyone understands this situation the best, it
is Kirito and Asuna. It's a shame that it'll take three whole
episodes for them to get there.
PS:
I already know that Kirito picks up a female avatar for GGO and I'd
be lying if I didn't admit that getting to see femme!Kirito has been
my main driving force for continuing this season.
Sword
Art Online II is currently airing in English on Toonami. The anime is
available for home release via Aniplex, and is streaming subbed on
Hulu and Crunchyroll.
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