Author: Gail Carriger
Artist: Rem
Yen Press
Major spoiler
warning:
Review contains spoilers for the Soulless manga adaptation and some spoilers for the original Parasol Protectorate series. Read with caution!
Alexia Tarabotti is
laboring under a great many social tribulations. First, she has no soul.
Second, she's a spinster whose father is both Italian and dead. Third, she was
rudely attacked by a vampire, breaking all standards of social etiquette. Where
to go from there? From bad to worse apparently, for Alexia accidentally kills
the vampire -- and then the appalling Lord Maccon (loud, messy, gorgeous, and
werewolf) is sent by Queen Victoria to investigate. With unexpected vampires
appearing and expected vampires disappearing, everyone seems to believe Alexia
responsible. Can she figure out what is actually happening to London's high
society? Or will her soulless ability to negate supernatural powers prove
useful or just plain embarrassing? Finally, who is the real enemy, and do they
have treacle tart? (Source:
Goodreads)
I have never been
particularly enamored of manga that is a straight adaptation of another work,
whether it be an anime or an English-language novel (I give passes to those
which adapt visual novels and light novels, those are entirely different
beasts). Imagine my surprise when this latest adaptation of a book – Gail Carriger’s
Soulless, the first in the Parasol Protectorate series – is not only incredibly
entertaining but extremely high quality in translating word to image and
telling Carriger’s story in manga format.
Read the rest of my review after the jump!
First things first, y’all: the art. Rem does a really superb job of turning Gail Carriger’s characters
into a cast of great looking manga folks – and some of them really do benefit
from the treatment. Consider Lord Akeldama, everyone’s favorite flamboyantly
gay vampire. Rem gives him all the gorgeous outfits, sparkles, and outrageous
body movements that make him Akeldama, and it works. He’s like a pretty Victorian gay version of Tamaki from
Ouran Host Club (which makes Biffy his Haruhi?) and he looks fantastic.
Rem also does a great
job of portraying the world of Soulless, from the Victorian setting to the
steampunk elements, not to mention all the intricate outfits. There’s something
about her artwork that is like a mix-up of Kohta Hirano (Hellsing), Kosuke
Fujishima (Ah! My Goddess), and Kaoru Mori (Emma), and I love it. I can’t wait
to see how she draws Carriger’s other characters, especially her Scotland clan
of fierce werewolves. And Madame Lefoux! Ooh, I can’t wait!
Those like me who
have read the entire series already – or just the first book – will notice that
not everything makes it into the graphic novel. The connection between Alexia
and her father is lessened significantly, as is the presence of her other
family. Floote is sadly absent for most of the book, which is a shame as he is
Alexia’s loyal butler partner who becomes very important late in the series.
Still, a lot of these things can be forgiven if you consider they’ve fit the
contents of one whole book into a single graphic novel. It could have been done
in two, but I guess they wanted to keep the story self-contained and not worry
with cliffhangers between volumes.
Also, I find that
with the translation from prose to manga, something is lost in translation that
actually helps readers new to the
story: a lot of the narration. Carriger and Rem, in deciding not to carry over
a lot of the Victorian entrenched narration from Alexia’s point of view, allows
the actual story to shine through more in the manga and doesn’t clutter up the
page with Alexia’s thoughts. She speaks her mind well enough through the
dialogue, after all!
Speaking of Alexia, I
found her manga version absolutely superb. A little too blushy for my liking,
and not as plump as I had pictured her, but she was just lovely – her and Lord
Maccon, whose wolf form was very impressive. Also, I had to laugh at the brief moment of his Anubis form; who knew
Maccon could look so snuggly and cute with a wolf’s head? And I can’t not
mention how impeccable Lord Akeldama is in this series – he’s the perfect blend
of flippant fashion queen and all-knowing info gatherer. And you can see in the
brief moments they’re together his relationship with his drone Biffy start to develop
into something much deeper. Ah, love!
In the end, I
actually found myself enjoying the Soulless manga more than the original prose
novel, which for me started off rocky but started improving by story’s end. The
manga, in contrast, gets right into the action from the first chapter and doesn’t
stop, keeping everything fresh in the reader’s mind and compelling them to keep
reading until the very end. If Rem and Carriger’s dynamic duo work keeps up
like this, I can only imagine what the other books in the Parasol Protectorate
series will read like as manga. Oh Lord, think of all of Ivy’s hats Rem gets to
draw!
For more information
about the manga adaptation of Soulless as well as future volumes, you can check
out the series page at the Yen Press site. As for more information about the
original Parasol Protectorate book series along with other works by the author,
you can visit Gail Carriger’s official homepage.
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