Set
in the Shinigami technical school for weapon meisters, the series
revolves around 3 groups of each a weapon meister and a human weapon.
Trying to make the latter a "Death Scythe" which is the
highest title for a weapon and thus fit for use by the Shinigami,
they must collect the souls of 99 evil humans and 1 witch.
(Source: MAL)
Spoiler
Warning: Review
discusses up to episode 30 of Soul Eater, per the Toonami broadcast
of the series.
Apparently,
I have been harboring this illusion that I had been blogging about my
Soul Eater anime experience for the past year or so. Manga, yes (although thanks to Yen Press' advanced releases, I'm hideously behind on that). Anime? Big no. Which is
silly, because I've been watching the Toonami broadcast since the
beginning and have been enjoying what has been, so far, one of the
best shonen anime in the past decade.
And no, it's not just because
Soul Eater actually has an ending, clocking out with a modest 51
episodes (well, modest for a show of its genre). It's because Soul Eater is a legitimately enjoyable program
that deserves every bit of praise it gets.
The
core story of Soul Eater is very simple. The series is centered
around a school that trains meisters and weapons; the meisters wield
their weapons, who are human beings which can take the form of such
items as guns, swords, scythes, whatever. The highest goal is to
become Death Scythe, which will make them usable by the top
Shinigami. Our main protagonist is Maka and her weapon, Soul, whose
weapon form is a scythe.
Maka is a hard working, studious meister in
training while Soul is a cocky, self-assured weapon who juggles his
duties to Maka with his recent acquisition of some nasty blood,
courtesy of one of the series' big baddies.
Maka
and Soul's gang of friends include Black Star, his weapon Tsubaki,
Death the Kid (who just so happens to be the son of Lord Death
himself), the Thompson sisters who are his weapons, the mad scientist
Stein, and the zombie teacher Sid. There is also Maka's delinquent
but-with-good-intentions father Death Scythe, the black blood
experiment Crona, and the witch Blair who enjoys popping up at random
moments and shoving her bosoms in young men's faces.
But
Soul Eater isn't just some series centered around Maka And Company
getting the requisite souls to become the best scythes ever. That
would be so dull.
You might as well turn the entire Chuunin Exam arc of Naruto into its
own series if you want that. No, in Soul Eater, dark things lurk
beneath the seemingly quiet surface of the DWMA school; secrets lie
literally beneath the floors of DWMA, secrets that threaten to
destroy their world. And Maka and Soul and the rest get caught up in
the middle of everything.
We
have our main antagonist, the First Kishin, who busts through his
cage and wrecks everything before shunting off to bide his time until
he can kill everyone properly. Below him is Medusa, the snake woman
with the amazing vector arrow ability - like, seriously, I love her
vector arrow fights, they are so well animated and usually pretty
amazing to watch. It is because of her love of ethically questionable
scientific experiments that we have Crona and Ragnarok. Most
recently, we also have the revived Arachne, whose spider abilities
are nothing to sneeze at; she even has a posse of lackeys at her beck
and call the second she comes back to life.
There
are other, lesser villain types but Kishin, Medusa, and Arachne are
the ones to watch the most. Their very presence in the DWMA 'verse
raises questions about what the hell is going on - like why would
Lord Death be keeping the first Kishin tied up under his academy? Why
did he hire Medusa, unless he had no idea she was a less than nice
person? What kind of powers do Arachne have that would put DWMA into
such a frenzy? Lord Death knows more than he's letting on, only
letting information out in piecemeal and to select parties only.
Dude, don't go all Order of the Phoenix/Half Blood Prince Dumbledore
on us now.
Soul
Eater is a series with a lot of mysteries and overlapping plot lines.
It's also very colorful and versatile, able to toggle between horror
and comedy at a moment's notice with ease. The cast is a lot of
screwball atypical characters with their own idiosyncrasies: Death
Scythe's womanizing; Maka's dry humor; Death the Kid's need for a
symmetrical universe; Sid's constant pointing out that he's very much
dead. Their relationships and interactions are what keep me coming
back week after week. They've turned into this big, goofy family that
fights kishin together and I love it.
But
it's still a shonen series, which means fights, fights, and more
fights. Luckily, Soul Eater's fights are tightly choreographed
fluidly animated nuggets of gold. Every character has their own
unique flow and fighting style, and there's a distinct difference
between how a meister fights and how a meister fights with their
weapon in hand, which is great. Actions just glide across the screen
as characters whoop the ass of their opponent, and I gotta give major
props to the animation studio behind Soul Eater for making everything
seem so flawless - you go, Studio Bones!
Now,
I've heard tales that the ending of Soul Eater goes off the rails a
bit. And I can't say I'm surprised, since the manga was ongoing at
the time and apparently the studios behind Soul Eater's anime didn't
want it to run endlessly like other such series. Then again, I've had
friends tell me they've enjoyed the original anime ending - so most
likely, it's a question of taste. As someone who enjoyed such series
as Recorder and Randsell and NakaImo, I'm sure my reaction to Soul
Eater's ending will fly in the face of fandom's majority opinion.
But
that, my friends, is 21 episodes away. Which means I have so much
more time left with Maka and her faithful weapon that I'm not even
going to sweat it. And I plan to enjoy every remaining episode! I
will declare the second half of Soul Eater a success if Excalibur
returns - bonus points if he does his signature song and dance. Don't
let me down, show.
You
can watched dubbed episodes of Soul Eater at the Toonami website as
well as Hulu (no expiration dates!). Funimation also has the series
on its YouTube page, although it is subbed (which means you miss Todd Haberkorn's delightful turn as Death The Kid and Micah Soludson as Soul, which alone are both worth the price of admission).
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